Kelby Training - Lights for Environmental Portrait

Kelby Training - Lights for Environmental Portrait
English | 848x480 | AVCL | 24fps 2197kbps | AAC 128kbps | 840MB
Genre: eLearning

As Joe McNally says, an Environmental Portrait is a Face in a Place. The setting is just as important as the subject, and the goal is to merge those two elements together in front of the camera. Join Joe as he takes viewers on three different shoots and tries to find the right mix of lighting, detail, and atmosphere to tell the story.

Lessons:

Irish Pub: Location Assessment (05:56)
Irish Pub: Lighting Adjustments (05:11)
Irish Pub: Collaboration (08:53)
Irish Pub: Secondary Setup (02:43)
Irish Pub: Individual Pics and Recap (05:00)
Firehouse: Manual Strobes (02:22)
Firehouse: FNG (02:12)
Firehouse: Lighting with Rangers (02:51)
Firehouse: Group Shot (08:22)
Firehouse: Controlling the Light (03:00)
Garage: TriFlash (03:25)
Garage: Diffuser (01:36)
Garage: Found Objects (02:44)
Garage: Recap (04:52)

More info:
Kelby Online Training | Classes in Digital Photography | Adobe Photoshop, Illustrator, Camera Raw, Dreamweaver, After Effects, Final Cut Pro | Kelby Training

Download Links:

Hotfile:

Code:

http://hotfile.com/dl/101232325/0a39baa/Kelby.Training.Lighting.for.Environmental.Portraits.part01.rar.html
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Fileserve:

Code:

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Filesonic:

Code:

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Uploading:

Code:

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http://uploading.com/files/a9d395a9/Kelby.Training.Lighting.for.Environmental.Portraits.pa

KELBY TRAINING SHOOTING FASHION MODELS DVD VIDEO TUTORIAL

Kelby Training Shooting Fashion Models On-Location Tutorial DVDRip
Language: ENGLISH 

Size: 715 MB

Fashion photographer Frank Doorhof takes viewers on location with two models to create this photo shoot for Kelby Training. During the videos, Frank talks about why he tries to shoot tethered all the time, the importance of using a color checker, how he directs his models, and how he controls lighting adjustments through the camera and the strobe. 

List of lessons on next page.

1. Location Scouting and Gear
2. Male Model in Sunlight
3. Female Model in Sunlight with Strobes
4. Golden Gown in Alleyway
5. Positioning the Model and the Light
6. High Contrast Look
7. Always Shoot Tethered
8. Single Light Indoors
9. Multiple Lights on a Sofa
10. Final Shot
11. Conclusion

Download:

http://hotfile.com/dl/88190726/c7d940c/Kelby.Training.Shoot.Fashion.Models.part1.rar.html

http://hotfile.com/dl/88190585/fefa149/Kelby.Training.Shoot.Fashion.Models.part2.rar.html

White Balances in DSLR cameras

How to use tripod for DSLR

How to hold the DSLR and use viewfinder

Shutter Speed settings for Digital SLR

Whether you're shooting fast-moving cars, athletes, or kids and dogs, stopping the action can make the difference between a successful sharp image and one that appears unsharp due to unwanted motion blur. In these situations, a fast shutter speed is required to stop the action and provide sharp detail in the main subject.

Unless you're using flash, as a rule a good minimum shutter speed when photographing people is 1/125. When the subject isn't moving quickly, such as the figure skaters shown in Figure , 1/60 is often enough to capture a sharp image. Flash helps to freeze action much better and is typically used at shutter speeds of 1/60 to 1/250 (or higher), depending on the camera.

Faster-moving subjects like cars often need a faster shutter speed, or they require you to use creative techniques at slower speeds. To freeze a car moving at freeway speeds, a shutter speed of 1/250 should be considered a minimum.

Shutter speed also changes with distance. The closer a moving subject is to the camera, the faster shutter speed you need to capture the image. As an example, the image shown in Figure was shot at 1/180, even though the planes are going several hundred miles per hour. Had they been closer and filling more of the frame, I would have needed a shutter speed of 1/2000 to freeze the action.

Sometimes freezing the action is exactly the wrong thing to do. For instance, flowing water like that shown in Figure takes on a silky, smooth look thanks to a slow shutter speed of one second.

Combining motion and sharp detail can make for very compelling images, especially when shooting fast visual spectacles such as sports. The technique of panning is one of the few times when you intentionally move the camera while shooting. In Figure, the camera moved along with the motorcyle while pressing the shutter button. This provided a sharp image of the motorcyclist with a nicely blurred background to really show the speed.

How to set Shutter Speed in DSLR